2017年1月8日 星期日

week13

Mutation

In biology, a mutation is the permanent alteration of the nucleotide sequence of the genome of an organismvirus, or extrachromosomal DNA or other genetic elements. Mutations result from errors during DNA replication or other types of damage to DNA, which then may undergo error-prone repair (especially microhomology-mediated end joining), or cause an error during other forms of repair, or else may cause an error during replication (translesion synthesis). Mutations may also result from insertion or deletion of segments of DNA due to mobile genetic elements.Mutations may or may not produce discernible changes in the observable characteristics (phenotype) of an organism. Mutations play a part in both normal and abnormal biological processes including: evolutioncancer, and the development of the immune system, including junctional diversity.

「mutation」的圖片搜尋結果

Fable

Fable is a literary genre: a succinct fictional story, in prose or verse, that features animalslegendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as the ability to speak human language) and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a pithy maxim.
A fable differs from a parable in that the latter excludes animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind.

Allegory

As a literary device, an allegory is a metaphor whose vehicle may be a character, place or event, representing real-world issues and occurrences. Allegory has been used widely throughout history in all forms of art, largely because it can readily illustrate complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners.
Writers or speakers typically use allegories as literary devices or as rhetorical devices that convey hidden meanings through symbolic figures, actions, imagery, and/or events, which together create the moral, spiritual, or political meaning the author wishes to convey.


The Hunger Games

The Hunger Games is a trilogy of young adult dystopian novels written by American novelist Suzanne Collins. The series is set in The Hunger Games universe, and follows young characters Katniss Everdeen and Peeta Mellark.
The novels in the trilogy are titled The Hunger Games (2008), Catching Fire (2009), and Mockingjay (2010). The novels have all been developed into films, with the film adaptation of Mockingjay split into two parts. The first two books in the series were both New York Times best sellers, and Mockingjay topped all US bestseller lists upon its release By the time the film adaptation of The Hunger Games was released in 2012, the publisher had reported over 26 million Hunger Games trilogy books in print, including movie tie-in books.

The Hunger Games cover.jpg    「hunger games」的圖片搜尋結果

Anthropomorphism

Anthropomorphism is the attribution of human traits, emotions, and intentions to non-human entities and is considered to be an innate tendency of human psychology.
Personification is the related attribution of human form and characteristics to abstract concepts such as nationsemotions and natural forces like seasons and the weather.
Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioural traits to wild as well as domestic animals.


pastoral

pastoral lifestyle (see pastoralism) is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art and music that depicts such life in an idealized manner, typically for urban audiences. A pastoral is a work of this genre, also known as bucolic, from the Greek βουκολικόν, from βουκόλος, meaning a cowherd.


Francis of Assisi

Saint Francis of Assisi (ItalianSan Francesco d'Assisi), born Giovanni di Pietro di Bernardone, informally named as Francesco (1181/1182 – 3 October 1226),was an Italian Roman Catholic friar and preacher. He founded the men's Order of Friars Minor, the women’s Order of Saint Clare, the Third Order of Saint Francis and the Custody of the Holy Land. Francis is one of the most venerated religious figures in history.

Bartolomeo Della Gatta - Stigmata of St Francis - WGA01336.jpg   「saint francis」的圖片搜尋結果  


Saint Peter

Saint Peter (Syriac/Aramaic: ܫܸܡܥܘܿܢ ܟܹ݁ܐܦ݂ܵܐ, Shemayon KeppaHebrewשמעון בר יונה‎‎ Shim'on bar YonaGreekΠέτρος PetrosLatinPetrus; r. AD 30; d. between AD 64 and 68), also known as Simon PeterSimeon, or Simōn About this sound pronunciation  , according to the New Testament, was one of the Twelve Apostles of Jesus Christ, leaders of the early Christian Church. He is also the "Apostle of the Apostles", an honor 3rd-century theologian Hippolytus of Rome gave him, and the first pope of the Roman Catholic Churchordained by Jesus in the "Rock of My Church" dialogue in Matthew 16:18. The ancient Christian churches all venerate Peter as a major saint and associate him with founding the Church of Antioch and later the Church in Rome,[2] but differ about the authority of his successors in present-day Christianity.

Pope-peter pprubens.jpg


SAT

The SAT (/ɛs  ti/es-ay-tee) is a standardized test widely used for college admissions in the United States. Introduced in 1926, its name and scoring have changed several times; originally called the Scholastic Aptitude Test, it was later called the Scholastic Assessment Test, then the SAT I: Reasoning Test, then the SAT Reasoning Test, and now, simply the SAT.

bridge over troubled water

"Bridge over Troubled Water" is a song by American music duo Simon & Garfunkel. Produced by the duo and Roy Halee, the song was released as the follow-up single to "The Boxer" in January 1970. The song is featured on their fifth studio albumBridge over Troubled Water (1970). Composed by singer-songwriter Paul Simon, the song is performed on piano and carries the influence of gospel music. The original studio recording employs elements of Phil Spector's "Wall of Sound" technique using L.A. session musicians from the Wrecking Crew.

Bridge Over Troubled Water single.jpg


To Helen

"To Helen" is the first of two poems to carry that name written by Edgar Allan Poe. The 15-line poem was written in honor of Jane Stanard, the mother of a childhood friend.[citation needed] It was first published in 1831 collection Poems of Edgar A. Poe. It was then reprinted in 1836 in the Southern Literary Messenger.

To Helen

Related Poem Content Details

Helen, thy beauty is to me 
   Like those Nicéan barks of yore, 
That gently, o'er a perfumed sea, 
   The weary, way-worn wanderer bore 
   To his own native shore. 

On desperate seas long wont to roam, 
   Thy hyacinth hair, thy classic face, 
Thy Naiad airs have brought me home 
   To the glory that was Greece,       
   And the grandeur that was Rome. 

Lo! in yon brilliant window-niche 
   How statue-like I see thee stand, 
The agate lamp within thy hand! 
   Ah, Psyche, from the regions which 
   Are Holy-Land! 

The birth of Venus

The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by Sandro Botticelli generally thought to have been painted in the mid 1480s. It has long been suggested that Botticelli was commissioned to paint the work by the Medici family of Florence, specifically Lorenzo di Pierfrancesco de' Medici under the influence of his cousin Lorenzo de' Medici, close patron to Botticelli. However, there are no documents associated with the painting, and its first identification with the Medici family only comes in the 1550 edition of Vasari's Lives. It depicts the goddess Venus, having emerged from the sea as an adult woman, arriving at the shore (which is related to the Venus Anadyomene motif). The painting is on display at the Uffizi Gallery in Florence, Italy.


Ambidextrous

Ambidexterity is the state of being equally adapted in the use of both the left and the right hand, and also in using them at the same time.Only about one percent of people are naturally ambidextrous.The degree of versatility with each hand is generally the qualitative factor in determining a person's ambidexterity.


Mannerism

Mannerism is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, lasting until about 1580 in Italy, when the Baroque style began to replace it. Northern Mannerism continued into the early 17th century.
Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da VinciRaphael, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities. Mannerism favors compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is notable for its highly florid style and intellectual sophistication.


Sibling rivalry 

Sibling rivalry is a type of competition or animosity among siblings, whether blood related or not.
Siblings generally spend more time together during childhood than they do with parents. The sibling bond is often complicated and is influenced by factors such as parental treatment, birth order, personality, and people and experiences outside the family. Sibling rivalry is particularly intense when children are very close in age and of the same gender and/or where one or both children are intellectually gifted.

Sistine Madonna

The Sistine Madonna, also called the Madonna di San Sisto, is an oil painting by the Italian artist Raphael Sanzio. The altarpiece was commissioned in 1512 by Pope Julius II for the church of San Sisto, Piacenza. The canvas was one of the last Madonnas painted by the artist. Giorgio Vasari called it "a truly rare and extraordinary work".

RAFAEL - Madonna Sixtina (Gemäldegalerie Alter Meister, Dresden, 1513-14. Óleo sobre lienzo, 265 x 196 cm).jpg


week31



fervid

fervid (adj.) 
1590s, "burning, glowing, hot," from Latin fervidus "glowing, burning; vehement, fervid," from fervere "to boil, glow" (see brew (v.)). Figurative sense of "impassioned" is from 1650s. Related: Fervidlyfervidness.


heresy
heresy (n.) 
"doctrine or opinion at variance with established standards" (or, as Johnson defines it, "an opinion of private men different from that of the catholick and orthodox church"), c. 1200, from Old French heresieeresie "heresy," and by extension "sodomy, immorality" (12c.), from Latin hæresis, "school of thought, philosophical sect." The Latin word is from Greek hairesis "a taking or choosing for oneself, a choice, a means of taking; a deliberate plan, purpose; philosophical sect, school," from haireisthai "take, seize," middle voice of hairein "to choose," a word of unknown origin, perhaps from PIE *ser- (5) "to seize" (source of Hittite šaru "booty," Welsh herw "booty").

The Greek word was used by Church writers in reference to various sects, schools, etc. in the New Testament: the Sadducees, the Pharisees, and even the Christians, as sects of Judaism. Hence the meaning "unorthodox religious sect or doctrine" in the Latin word as used by Christian writers in Late Latin. But in English bibles it usually is translated sect. Transferred (non-religious) use in English is from late 14c.

prudent

prudent (adj.) 
late 14c., from Old French prudent "with knowledge, deliberate" (c. 1300), from Latin prudentem (nominative prudens) "knowing, skilled, sagacious, circumspect;" rarely in literal sense "foreseeing;" contraction of providens, present participle of providere "to foresee" (see provide). Related: Prudently.


ostensible
ostensible (adj.) 
1762, "capable of being shown, presentable," from French ostensible, from Latin ostens-, past participle stem of ostendere "to show, expose to view; to stretch out, spread before; exhibit, display," from ob "in front of" (see ob-) + tendere "to stretch" (see tenet). Meaning "apparent, professed" is from 1771.

spurious

spurious (adj.) 
1590s, "born out of wedlock," from Latin spurius "illegitimate, false" (source also of Italian spurio, Spanish espurio), from spurius (n.) "illegitimate child," probably from Etruscan spural "public." Sense of "having an irregular origin, not properly constituted" is from c. 1600; that of "false, sham" is from 1610s; of writing, etc., "not proceeding from the source pretended, 1620s. Related: Spuriouslyspuriousness.

propagate

propagate (v.) 
1560s, "to cause to multiply," from Latin propagatus, past participle of propagare "to set forward, extend, procreate" (see propagation). Intransitive sense "reproduce one's kind" is from c. 1600. Related: Propagatedpropagating.

milieu

milieu (n.) 
"surroundings," 1877, from French milieu, "middle, medium, mean," literally "middle place" (12c.), from mi "middle" (from Latin medius; see medial (adj.)) + lieu "place" (see lieu).

anomaly

anomaly (n.) 
1570s, from Latin anomalia, from Greek anomalia "inequality," noun of quality from anomalos "uneven, irregular," from an-, privative prefix, "not" (see an- (1)) + homalos "even," from homos "same" (see same).


innocuous
innocuous (adj.) 
1590s, from Latin innocuus "harmless; innocent; inoffensive," from in- "not" (see in- (1)) + nocuus "hurtful," from root of nocere "to injure, harm," from *nok-s-, suffixed form of PIE root *nek- (1) "death" (see necro-). Related: Innocuouslyinnocuousness.

surfeit

surfeit (v.) 
late 14c., intransitive, "indulge or feed to excess," from surfeit (n.). Related: Surfeitedsurfeiting. Transitive sense from 1590s.
surfeit (n.) 
early 14c., "excess quantity;" late 14c., "overindulgence," from Old French sorfet "excess; arrogance" (Modern French surfait), noun use of past participle of surfaire "overdo," from sur- "over" (see sur- (1)) + faire "do," from Latin facere "to make, do" (see factitious).

concomitant

concomitant (adj.) 
c. 1600, from French concomitant, from Late Latin concomitantem (nominative concomitans), present participle of concomitari "accompany, attend," from com "with, together" (see com-) + comitari "join as a companion," from comes (genitive comitis) "companion" (see count (n.1)).

strident

strident (adj.) 
1650s, from French strident (16c.) and directly from Latin stridentem (nominative stridens), present participle of stridere "utter an inarticulate sound, grate, screech," from PIE *(s)trei-, possibly of imitative origin (source also of Greek trismos "a grinding, scream"). Related: Stridentlystridencestridency.

lassitude

lassitude (n.) 
early 15c., from Latin lassitudinem (nominative lassitudo) "faintness, weariness," from lassus "faint, tired, weary," from PIE *led-to-, suffixed form of *led- "slow, weary" (source also of Old English læt "sluggish, slow;" see late (adj.)), from root *le- (2) "to let go, slacken" (see lenient)

deleterious

deleterious (adj.) 
1640s, from Medieval Latin deleterius, from Greek deleterios "noxious," from deleter "destroyer," from deleisthai "to hurt, injure." Related: Deleteriouslydeleteriousness.


efficacy
efficacy (n.) 
1520s, from Latin efficacia "efficacy, efficiency," from efficax (genitive efficacis) "powerful, effectual, efficient," from stem of efficere "work out, accomplish" (see effect (n.)). Earlier in same sense was efficace (c. 1200), from Old French eficace (14c.), from Latin efficacia; also efficacite (early 15c.), from Latin efficacitatem.

incumbent

incumbent (adj.) 
1560s, in relation to duties or obligations, from Medieval Latin incumbentem (nominative incumbens), present participle of incumbere (see incumbent (n.)). The literal, physical sense "lying or resting on something" is rare in English and first attested 1620s.
incumbent (n.) 
early 15c., "person holding a church position," from Medieval Latin incumbentem (nominative incumbens) "holder of a church position," noun use of present participle of incumbere "to obtain or possess," from Latin incumbere "recline on," figuratively "apply oneself to," from in- "on" (see in- (2)) + -cumbere "lie down," related to cubare "to lie" (see cubicle). Extended to holders of any office from 1670s.

week32



expedite

expedite (v.) 
c. 1500 (implied in past participle expedit "accomplished"), from Latin expeditus, past participle of expedire "extricate, disengage, liberate; procure, make ready, put in order, make fit, prepare; explain, make clear," literally "free the feet from fetters," hence to liberate from difficulties, from ex "out" (see ex-) + *pedis "fetter, chain for the feet," related to pes (genitive pedis) "foot," from PIE root *ped- (1) "a foot" (see foot (n.)). Compare Greek pede "fetter." Related: Expeditedexpediting.
expediate (v.) 
a 17c. error for expedite that has gotten into the dictionaries.

celerity

celerity (n.) 
late 15c., from Old French celeritee (14c., Modern French célérité), from Latin celeritatem (nominative celeritas) "swiftness," from celer "swift," from possible PIE root *kel- (3) "to drive, set in swift motion" (source also of Sanskrit carati "goes," Greek keles "fast horse or ship," keleuthos "journey, road," Lithuanian sulys "a gallop," Old High German scelo "stallion").


profound

profound (adj.) 
c. 1300, "characterized by intellectual depth," from Old French profund (12c., Modern French profond), from Latin profundus "deep, bottomless, vast," also "obscure; profound; immoderate," from pro "forth" (see pro-) + fundus "bottom" (see fund (n.)). The literal and figurative senses both were in Latin, but English, having already deep, employed this word primarily in its figurative sense. Related: Profoundly.

alleviate

alleviate (v.) 
early 15c., " to mitigate, relieve (sorrows, suffering, etc.)," from Late Latin alleviatus, past participle of alleviare "lift up, raise," figuratively "to lighten (a burden), comfort, console," from Latin ad "to" (see ad-) + levis "light" in weight (see lever). Related: Alleviatedalleviating.

prodigious

prodigious (adj.) 
1550s, "ominous," from Middle French prodigieux and directly from Latin prodigiosus "strange, wonderful, marvelous, unnatural," from prodigium (see prodigy). Meaning "vast, enormous" is from c. 1600. Related: Prodigiouslyprodigiosity.

bizarre

bizarre (adj.) 
1640s, from French bizarre "odd, fantastic" (16c.), from Italian bizarro "irascible, tending to quick flashes of anger" (13c.), from bizza "fit of anger, quick flash of anger" (13c.). The sense in Italian evolved to "unpredictable, eccentric," then "strange, weird," in which sense it was taken into French and then English. Older derivation from Basque bizar "a beard" is no longer considered tenable.

paltry

paltry (adj.) 
1560s, probably an adjectival use of noun paltry "worthless thing" (1550s), associated with dialectal palt, pelt "trash," cognate with Middle Low German and East Frisian palte "rag," Middle Dutch palt "broken or torn fragment." Similar formation in Low German paltrig "rubbishy," East Frisian palterig "ragged, torn."

usurp

usurp (v.) 
early 14c., from Old French usurper "to (wrongfully) appropriate" (14c.), from Latin usurpare "make use of, seize for use," in later Latin "to assume unlawfully, trespass on," from usus "a use" (see use (v.)) + rapere "to seize" (see rapid (adj.)). Related: Usurpedusurping.

condone

condone (v.) 
1857, from Latin condonare "to give up, remit, permit," from com-, intensive prefix (see com-), + donare "to give" (see donation). Originally a legal term in the Matrimonial Causes Act, which made divorce a civil matter in Britain. Related: Condonedcondoning.

trivial

trivial (adj.) 
"ordinary" (1580s); "insignificant, trifling" (1590s), from Latin trivialis "common, commonplace, vulgar," literally "of or belonging to the crossroads," from trivium "place where three roads meet," in transferred use, "an open place, a public place," from tri- "three" (see three) + via "road" (see via). The sense connection is "public," hence "common, commonplace."

The earliest use of the word in English was early 15c., a separate borrowing in the academic sense "of the trivium" (the first three liberal arts -- grammar, rhetoric, and logic); from Medieval Latin use of trivialis in the sense "of the first three liberal arts," from trivium, neuter of the Latin adjective trivius "of three roads, of the crossroads." Related: Trivially. For sense evolution to "pertaining to useless information," see trivia.

venerable

venerable (adj.) 
early 15c., "worthy of respect," from Old French venerable and directly from Latin venerabilis "worthy of reverence or respect," from venerari "to worship, revere" (see veneration). As a title, used in reference to ecclesiastics (in the Anglican church, specifically of archdeacons) or those who had obtained the first degree of canonization. Related: Venerablyvenerability.

ambiguous

ambiguous (adj.) 
1520s, from Latin ambiguus "having double meaning, shifting, changeable, doubtful," adjective derived from ambigere "to dispute about, contend, debate," literally "to wander, go about, go around," figuratively "hesitate, waver, be in doubt," from ambi- "about" (see ambi-) + agere "drive, lead, act" (see act (n.)). First attested in Sir Thomas More (1528); related ambiguity dates to c. 1400. Related: Ambiguouslyambiguousness.

succinct

succinct (adj.) 
early 15c., "having one's belt fastened tightly," from Middle French succincte, from Latin succinctus "prepared, ready; contracted, short," past participle of succingere "tuck up (clothes for action), gird from below," from assimilated form of sub "up from under" (see sub-) + cingere "to gird" (see cinch (n.)). Sense of "brief, concise" first recorded 1530s. Related: Succinctness.

menial

menial (n.) 
"domestic servant," late 14c., meynyal; see menial (adj.).
menial (adj.) 
late 14c., "pertaining to a household," from Anglo-French meignial, from Old French mesnie "household," earlier mesnede, from Vulgar Latin *mansionata, from Latin mansionem "dwelling" (see mansion). Sense of "lowly, humble, suited to a servant" is recorded by 1670s.

extraneous

extraneous (adj.) 
1630s, from Latin extraneus "external, strange," literally "that is without, from without" (as a noun, "a stranger"), from extra "outside of" (see extra-). A doublet of strange. Related: Extraneously.

salubrious

salubrious (adj.) 
1540s, from Latin salubris "promoting health, healthful," from salus (genitive salutis) "welfare, health" (see salute (v.)). Related: Salubriouslysalubriousness.

archaic

archaic (adj.) 
1810, from or by influence of French archaique (1776), ultimately from Greek arkhaikos "old-fashioned," from arkhaios "ancient," from arkhe "beginning" (see archon). Archaical is attested from 1799.

facetious

facetious (adj.) 
1590s, from French facétieux (16c.), from facétie "a joke" (15c.), from Latin facetiae "jests, witticisms" (singular facetia), from facetus "witty, elegant, fine, courteous," which is of unknown origin, perhaps related to facis "torch."

Formerly often in a good sense, "witty, amusing," but later implying a desire to be amusing that is often intrusive or ill-timed. Related: Facetiouslyfacetiousness. "Facetiæ in booksellers' catalogues, is, like curious, a euphemism for erotica." [Fowler]

rabid

rabid (adj.) 
1610s, "furious, raving," from Latin rabidus "raging, furious, enraged; inspired; ungoverned; rabid," from rabere "be mad, rave" (see rage (v.)). Meaning "made mad by rabies" in English first recorded 1804. Related: Rabidlyrabidness.

emulate

emulate (v.) 
1580s, back-formation from emulation, or else from Latin aemulatus, past participle of aemulari "to rival." Related: Emulatedemulatingemulableemulative.

week33


complacent

complacent (adj.) 
1650s, "pleasing," from Latin complacentem (nominative complacens) "pleasing," present participle of complacere "be very pleasing" (see complacence). Meaning "pleased with oneself" is from 1767. Related: Complacently.

debilitate

debilitate (v.) 
1530s, from Latin debilitatus, past participle of debilitare "to weaken," from debilis "weak" (see debility). Related: Debilitateddebilitating.

occult

occult (adj.) 
1530s, "secret, not divulged," from Middle French occulte and directly from Latin occultus "hidden, concealed, secret," past participle of occulere "cover over, conceal," from assimilated form of ob "over" (see ob-) + a verb related to celare "to hide," from PIE root *kel- (2) "to cover, conceal" (see cell). Meaning "not apprehended by the mind, beyond the range of understanding" is from 1540s. The association with the supernatural sciences (magic, alchemy, astrology, etc.) dates from 1630s.

somber

somber (adj.) 
1760 "gloomy, shadowy" (earlier sombrous, c. 1730), from French sombre "dark, gloomy," from Old French sombre (14c.), from an adjective from Late Latin subumbrare "to shadow," from sub "under" (see sub-) + umbra "shade, shadow," perhaps from a suffixed form of PIE *andho- "blind, dark" (see umbrage). Related: Somberlysomberness.

impetuous

impetuous (adj.) 
late 14c., "hot-tempered, fierce;" late 15c., "done or given with a rush of force," from Old French impetuos (13c., Modern French impétueux) and directly from Late Latin impetuosus "impetuous, violent" (source also of Spanish and Italian impetuoso), from Latin impetus "attack" (see impetus). Related: Impetuouslyimpetuousness.

foment

foment (v.) 
early 15c., "apply hot liquids," from Old French fomenter "apply hot compress (to a wound)" (13c.), from Late Latin fomentare, from Latin fomentum "warm application, poultice," contraction of *fovimentum, from fovere "to warm; cherish, encourage" (see fever). Extended sense of "stimulate, instigate" (1620s), on the notion of "encourage the growth of," as if by heat, probably was taken from French. Related: Fomentedfomenting.

slovenly

slovenly (adj.) 
1510s, "low, base, lewd," later "untidy, dirty" (1560s), from sloven + -ly (1). Related: Slovenliness; also in this sense was slovenry (1540s), which OED reports in common use early 17c.

quarry

quarry (v.) 
1774, from quarry (n.2). Related: Quarriedquarrying.
quarry (n.1) 
"what is hunted," early 14c., quirre "entrails of deer placed on the hide and given to dogs of the chase as a reward," from Anglo-French quirreie, Old French cuiriee "the spoil, quarry" (Modern French curée), altered (by influence of Old French cuir "skin," from Latin corium "hide"), from Old French corée "viscera, entrails," from Vulgar Latin *corata "entrails," from Latin cor "heart," from PIE root *kerd- (1) "heart" (see heart (n.)). Sense of "anything chased in hunt" is first recorded 1610s; earlier "bird targeted by a hawk or other raptor" (late 15c.).
quarry (n.2) 
"open place where rocks are excavated," c. 1400 (mid-13c. as a place name), from Medieval Latin quareia, dissimilated from quarreria (mid-13c.), literally "place where stones are squared," from Latin quadrare "to square" (see quadrant).

discreet

discreet (adj.) 
mid-14c., "morally discerning, prudent, circumspect," from Old French discret "discreet, sensible, intelligent, wise," from Latin discretus "separated, distinct," in Medieval Latin "discerning, careful," past participle of discernere "distinguish" (see discern). Meaning "separate, distinct" in English is late 14c.

Spellings discrete and nativized discreet co-existed until after c. 1600, when discreet became the common word for "careful, prudent," and discrete was maintained in philosophy, medicine, music and other disciplines that remembered Latin and made effort to obey it. Related: Discreetly.
discrete (adj.) 
"separate, distinct," late 14c., from Old French discretdiscre, and directly from Latin discretus "separated;" see discreet. Related: Discretely.

glean

glean (v.) 
early 14c., "to gather by acquisition, scrape together," especially grains left in the field after harvesting, but the earliest use in English is figurative, from Old French glener "to glean" (14c., Modern French glaner) "to glean," from Late Latin glennare "make a collection," of unknown origin. Perhaps from Gaulish (compare Old Irish do-glinn "he collects, gathers," Celtic glan "clean, pure"). Figurative sense was earlier in English than the literal one of "gather grain left by the reapers" (late 14c.). Related: Gleanedgleaning.

penitent

penitent (adj.) 
mid-14c., from Old French pénitent (14c.) and directly from Latin paenitentem (see penitence). As a noun, late 14c., from the adjective.

evanescent

evanescent (adj.) 
1717, "on the point of becoming imperceptible," from French évanescent, from Latin evanescentem (nominative evanescens), present participle of evanescere "disappear, vanish, pass away," figuratively "be forgotten, be wasted," from assimilated form of ex "out" (see ex-) + vanescere "vanish" (see vanish). Sense of "quickly vanishing, having no permanence" is by 1738.

reproach

reproach (v.) 
mid-14c., reprochen "to rebuke, reproach," from Anglo-French repruchier, Old French reprochier "upbraid, blame, accuse, speak ill of," from reproche (see reproach (n.)). Related: Reproachedreproaching.
reproach (n.) 
mid-14c., "a rebuke, blame, censure;" also "object of scorn or contempt;" c. 1400, as "disgrace, state of disgrace," from Old French reproche "blame, shame, disgrace" (12c.), from reprochier "to blame, bring up against," said by some French etymologists to be from Vulgar Latin *repropiare, from Latin re- "opposite of" + prope "near" (see propinquity), with suggestions of "bring near to" as in modern "get in (someone's) face." But others would have it from *reprobicare, from Latin reprobus/reprobare (see reprobate (adj.)).

tantamount

tantamount (adj.) 
1640s, from verbal phrase tant amount "be equivalent" (1620s), from Anglo-French tant amunter "amount to as much" (late 13c.), from Old French tant "as much" (11c., from Latin tantus, from tam "so;" see tandem) + amonter "amount to, go up" (see amount (v.)).

abjure

abjure (v.) 
early 15c., "renounce on oath, repudiate, forswear," originally especially "renounce or recant (a heresy) on oath," from Middle French abjurer or directly from Latin abiurare "deny on oath," from ab "off, away from" (see ab-) + iurare "to swear," from ius (genitive iuris) "law" (see jurist). Related: Abjuredabjuring.

connoisseur

connoisseur (n.) 
1714, from French connoisseur (Modern French connaiseur), from Old French conoisseor "an expert, a judge, one well-versed," from conoistre "to know," from Latin cognoscere "to get to know, recognize, become well-acquainted with," from com "with, together" (see com-) + gnoscere "recognize" (see notice (v.)).

allay

allay (v.) 
Middle English alegen, from Old English alecgan "to put, place, put down; remit, give up, suppress, abolish; diminish, lessen," from a- "down, aside" (see a- (1)) + lecgan "to lay" (see lay (v.)). A common Germanic compound (cognates: Gothic uslagjan "lay down," Old High German irleccan, German erlegen"to bring down").

Early Middle English pronunciations of -y- and -g- were not always distinct, and the word was confused in Middle English with various senses of Romanic-derived alloy (v.) and especially a now-obsolete verb allege "to alleviate, lighten" (from Latin alleviare, from ad "to" + levis "light" in weight; see lever).
Amid the overlapping of meanings that thus arose, there was developed a perplexing network of uses of allay and allege, that belong entirely to no one of the original vbs., but combine the senses of two or more of them. [OED]
Hence senses "lighten, alleviate; mix, temper, weaken." The confusion with the Latin words probably also accounts for the unetymological double -l-, attested from 17c. Related: Allayedallaying.

propensity

propensity (n.) 
1560s, "disposition to favor," with -ty + obsolete adjective propense "inclined, prone" (1520s), from Latin propensus, past participle of propendere "incline to, hang forward, hang down, weigh over," from pro "forward" (see pro-) + pendere "hang" (see pendant).

wary

wary (adj.) 
late 15c., with -y (2) + ware, from Old English wær "prudent, aware, alert, wary," from Proto-Germanic *waraz (source also of Old Norse varr "attentive," Gothic wars "cautious," Old Saxon giwar, Middle Dutch gheware, Old High German giwar, German gewahr "aware"), from PIE root *wer- (4) "to perceive, watch out for" (see ward (n.)). Related: Warilywariness.

deter

deter (v.) 
1570s, from Latin deterrere "to frighten from, discourage from," from de- "away" (see de-) + terrere "frighten" (see terrible). Deterrent is from 1829.


沒有留言:

張貼留言